Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no longer have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Origami facile
Kent du Pre has done Origami Easy Step By Step such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, but the most extreme form occurs in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course closely related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami fleur
Uchiyama Fabriquer Un Bateau Pirate En Papier Maché is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved only by folding.
Fleur origami
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modeling particularly if foil has been used and one can make sure of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa Origami Heart Box With Lid at a Convention in Luton. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and we are approaching statue rather than Origami.
Bateau en papier
The associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of document each folded to symbolize some part of the animal and then brought with each other. The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a dragon from a number of pieces of different sizes.
Comment faire un avion en papier
Inside the most extreme combos of Origami Star Wars water and paper we are, of course , in the world of papier-mache which is obviously an open-ended art. DecoratingThe easiest step from the single colour is one side coloured and one white or plain. A great deal of modern Origami exploits this colour difference. A new delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration
occurs in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The slicing out of holes and so on. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called Faire Avion En Papier Pro this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and evidently here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form we may use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. The most unusual form of 'display mechanics' that We am familiar with is by Toyoaki Kawai.
